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Dr. Rupert Tills work with the European Music Archaeology Project has been funded through the EU Culture Programme receiving a 5 year €2 million grant, with about 8 partners from different countries involved. Dr Till says: ‘I will be setting up a music archaeology record label, and recording perhaps Greek instruments in a temple, Roman instruments at Pompeii’s theatre or prehistoric instruments in chamber tombs. I will also be creating multimedia exhibits for a touring exhibition, which will travel across Europe, for example to Rome, Berlin, France, Portugal, Spain etc. EMAP will develop a free-to-enter multimedia touring exhibition and accompanying programme of workshops and performances which will visit ten venues in eight countries between May 2015 and November 2016. The exhibition covers the origins and evolution of European music from Prehistory to still-surviving music traditions and will be supported by a website, TV documentary, recordings and other activities.

The programme will create accurate reconstructions and working models of ancient instruments computer models of selected archaeological sites, their acoustics and soundscapes, outreach media such as books, CDs and videos, workshops and performances and a multimedia exhibition. The presentation will be designed to appeal to the general public, using the latest presentational techniques and the accompanying support materials will be presented at three different levels: adult, school-age and pre-school. The adult material will be designed to bring together generations, empowering older citizens help the younger ones to explore the musical experiences of their parents’ and grandparents’ generation and understand their experiences of shared European culture.

A Trust will be set up to continue the work of the project into the future. It will establish a lasting flagship for ancient European music culture and the development of a supra-national sense of citizenship through a deeper awareness of Europe’s interconnected past, achieved through the power of sound, even after the end of the funded project.’

CALL FOR PAPERS
Conference 19-22 February 2014 in MALTA
ARCHAEOACOUSTICS: The Archaeology of Sound
 a multidisciplinary look at early sonic/aural awareness and lithic sound behavior, toward a better understanding of human and music development.
Archaeology has often been focused on the visual and on physical objects, although the past was of course not silent. Since many cultures explored through archaeology were focused on the oral and therefore the aural, it is becoming increasingly recognized that studying the sonic nature of parts of archaeology can enhance our understanding.
 
The intent of this conference is to explore the importance of sound in antiquity, sharing focused expertise from a variety of backgrounds in order to provide a forum for expanding previous conceptions and introducing new methodologies.  We are particularly interested in the role acoustic behavior may have had in the development and design of important architecture and ritual spaces throughout the ancient world.
All presentations will be in English.  Performance proposals will also be considered.
Submission of abstracts for a 20-minute presentation and proposals for posters/demos on any topic related to the theme will be open until 01 September 2013.    Abstracts should be 300 words or less plus title and author details.  Authors of papers accepted for presentation by the academic committee will be notified by 15 September 2013.  Final papers are required by 15 January 2014.

Submissions should be made to: Conference2014@OTSF.org

Organized by The University of Malta and The OTS Foundation
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Stonehenge is famously aligned to the sunrise on the mid-summer solstice. However there is more archaeological evidence that in prehistoric Britain, people gathered at Stonehenge at sunset to celebrate the shortest day of the year, after which everything gets lighter and warmer, on the winter solstice. People often think of the winter solstice as being 21st December, however it varies between the 20th and the 23rd depending on the motion of the Earth and whether it is a leap year or not. This year English heritage will provide open access to Stonehenge on the 22nd December. The trouble is, it is often not possible to watch the sun setting from inside the stones for a number of reasons. It is often cloudy, and there are often thousands of people all trying to get inside the stone circle at sunset. Also of course, half the stones at Stonehenge are missing or fallen, compared to the prehistoric version of the site. Add to this parking problems, and the cold of the exposed countryside, and one might wonder if there were a warmer way to experience the solstice at Stonehenge.

Interactive iphone app developers Ribui, working with Researchers at the University of Huddersfield, have come up with an intriguing alternative. They have produced an iphone app that you can download, that includes models of Stonehenge. A computer model of the site has been created which allows you to see what the site would have looked like in prehistory. Advanced digital modelling has been used to provide an accurate reconstruction, an interpretation of what it may have been like to be at Stonehenge in prehistory. If you are actually at Stonehenge, the app uses Augmented Reality (AR) to work out where you are standing, and when you hold up your phone, it shows you what the site would have looked like, from your exact position, but as if you were there thousands of years ago.

You can navigate interactively around the site, and explore it at will, without seeing fences or paths, allowing the user to fly over the top of the site, or zoom towards it. You can also see how the site developed over the years, how different arrangements of the stones were set up, drawing on the latest archaeological research. You can even stand virtually in the middle of the stones, and as you move your phone around, you can look around, with no other people present, and with all the stones intact and upright. At the same time you can put headphones in your ears, and hear how the echoes from the stone surfaces would have affected your voice.

The computer model was originally created by project leader Dr. Rupert Till at the University of Huddersfield, in order to carry out acoustic analysis of the site, using architectural software. However, as the model produced by Dr. Ertu Unver and Andrew Taylor looked very accurate, the project decided to create multimedia files that reconstructed Stonehenge virtually. Commercial company Ribui, approached the University to develop the model into an interactive iphone app, and the final result is now released to the public.

Smartphone apps offer a way to explore heritage sites like Stonehenge from anywhere, and also provide information to visitors to the site, as they are walking around it. This app also features a model of the wooden circle at nearby Woodhenge, as well as information on other sites related to Stonehenge, like Durrington Walls, the Cursus and the so-called Bluestonehenge. It also allows one to dig out other archaeological finds on your iphone, and see and hear information about the archaeology of the whole surrounding landscape.

Project leader at the University of Huddersfield Dr. Rupert Till told us, ‘the interaction of Science and Heritage, and the use of digital interactive tools in this way, allows someone anywhere in the world to connect with the thousands of years old tradition of people traveling to Stonehenge, especially on the winter solstice. People have always gone to Stonehenge to connect with the ancestors, to connect with the past, but also to look forward on the shortest day to a sunnier future. They want to celebrate the return of the Sun, the ultimate source of power and light for our world, as we know we are at the darkest point of the year, but that things will look a little brighter from now on. It’s a place of ritual and spirituality, and we hope that this app will help people understand and appreciate Stonehenge in a different way, offering a window into the past, as well as an experience that can bring optimism for the future.’

The Stonehenge Experience app is available on the Apple App Store

http://itunes.apple.com/gb/app/stonehenge-experience/id486455671?mt=8&uo=4

More At http://www.stonehengeexperience.com/indexnorm.php

Daily Mail article

Hearing the Past through our ancestors’ ears

BBC Radio 4,

11 am, Monday September 12th, 2011. 

Imagine being able to eavesdrop on the sound of a ritual at Stonehenge four thousand years ago, or hear singing in the original Coventry Cathedral before it was bombed in 1940.

Broadcaster and Physicist, Professor Jim Al-Khalili investigates how latest research in acoustics is helping us to recreate authentic sounds of the past. It is changing the way we study history and experience tourist attractions. It is also helping us to improve the acoustic design of future buildings.

Jim discovers how architects of modern concert venues are learning lessons from the layout of Stonehenge. He also finds out how acoustic design goes far beyond just making our buildings sound good, in some cases it can save lives.

The research is bringing together a diverse group of scientists, engineers, sound archivists, museum curators and sound artists.

The initial project was funded by the Engineering and Physical Sciences Research Council (EPSRC) and the Arts and Humanities Research Council (AHRC). This included the Acoustics and Music of British Prehistory Research Network described at http://AMBPNetwork.wordpress.com

‘Hearing the Past’ will be broadcast on BBC Radio 4 at 11 am on Monday September 12th. The programme will also be available via the Radio 4 website (bbc.co.uk/radio4). The programme has also been selected as BBC Radio 4’s Documentary of the Week.

The Producer of the programme is Jane Reck.

Notes for Editors:

Contributors to the programme:

Dr Rupert Till, from the University of Huddersfield. Rupert works in the area of ‘archaeo-acoustics’, which concentrates on the sound of a site and how it would have been used in the past. He describes how he has been able to recreate the sound of a ritual at Stonehenge four thousand years ago. He also explains how the site’s acoustics are inspiring the design of modern outdoor concert venues.

Dr Damian Murphy, from the University of York. He is involved in acoustically recreating the sound of Coventry Cathedral before it was bombed in 1940.

Joe Savage, a curator at the National Railway Museum in York.  Joe is interested in the use of acoustics in a museum or heritage setting. The NRM is currently re-developing its station hall area and wants to make use of latest research into acoustics. They are planning to show visitors how a railway station operates twenty four hours a day and how that working pattern has changed over time.

Sebastien Jouan, an acoustic designer. Sebastien works for Arup, a global firm of designers, engineers, planners and building consultants. He explains how studying the acoustics of sites such as Stonehenge and pre-1940 Coventry Cathedral can help us design better sounding buildings from concert halls and airport terminals to schools, hospital operating theatres, homes and offices. Sebastien will also demonstrate, through recorded sounds how improving acoustics in public places can also save lives in emergency situations.

Richard Ranft, Head of the Sound Archive at the British Library in London. This is an invaluable source of recordings for museums and historic sites. Richard is also keen to encourage people to record sounds of the world around them now before we lose them forever.

Sound Artists Louise K. Wilson (based at the University of Huddersfield) and David Chapman. Their work has centred on the Falkland estate in Fife, sourcing and collecting historic sounds associated with this former royal hunting park

There is a concert on Friday 27th May in Edinburgh featuring multimedia, music, and live performances that explore the relationships between music and prehistory.

Full details at: http://palaeophonics.co.uk/

and http://palaeophonics.co.uk/stonehenge-ritual-sound/

This will includes a short digital film by Rupert Till, Andrew Taylor and Ertu Unver which features high quality renderings of a 3D model of Stonehenge, as it may have looked in prehistory. It also includes a soundtrack that recreates the sound of the space as one approaches it. The model is placed on accurate LIDAR laser scan ground data.

The Pioneer Podcast

This podcast describes the I Hear Too project, which discusses the interaction of sound and heritage more widely than just in prehistory.

Following on from a number of meetings funded by the AHRC/EPSRC Science and Heritage scheme, this network is intending to continue working on the 4 projects below. If you would like to participate in one of these projects, please leave a comment on this website, or email Rupert Till – R.Till@hud.ac.uk

1. Rollwright Stones Group Analysis

The network suggested launching a project to analyse the acoustics of the Rollwright Stones. A project event would be held to which as many people as possible would be invited. The idea would be to get as many as possible different individuals or groups to analyse the acoustics of the site, in order to get as much information as possible, and to be able to compare and aggregate different the results of different methodological approaches.

2. Research Methodology and Best Practice

Please look at the methodology section on the right hand side. The group is continuing to develop documents discussing best practice and methodology. Contributions are needed to this discussion, please join in.

3. Anechoic recordings

A project is needed that would create a set of anechoic recordings suitable for use within archaeoacoustic studies. These recordings would be dB rated at set levels.

4. Development of ISO standards

A group is needed to develop a set of ISO standard testing methodologies for archeoacoustic projects. This would create perhaps 3 standards that would range from the most simple to advanced research techniques. This research would also develop a benchmarking paper.

In Addition

Major Grant Applications for the AHRC/EPSRC Science and Heritage Research Programme

A number of researchers from within this network, applied for the major grant scheme. Results of funding are not yet available, but there may be opportunities to participate in any project which receives funding. Watch this site for details.

A group associated with this network, but principally aligned to the I Hear Too network also applied for funding.

Post-doctoral research fellowship within the AHRC/EPSRC Science and Heritage Research Programme

At least two participants in the AMBP Network who presented at the public symposia submitted applications to the post-doctoral research fellowship scheme. Results of their funding applications are not yet available, but we will aim to publish details of their projects if they are funded.

A number of researchers associated with this project are continuing their own ongoing projects. There may be opportunities to get involved in these projects, check the links at the top of the page for details.

Acoustics and Music of British Prehistory Research Cluster

Second Symposium – Birley Room, Hatfield College, University of Durham

Wednesday 2nd September 2009

Directions can be found at:

http://www.dur.ac.uk/hatfield.college/directions/

10.00am            Arrive coffee/tea

10.30am            Keynote speaker – Steven Waller – Rock Art and Archaeoacoustics

11.00am            Advantages and disadvantages of acoustic measurement and

                             modelling approaches by Damian Murphy, Audiolab, University of York

11.30                  Introduction to best practice and methodology

12.00                  Discussion in 3 interdiscipinary groups             

1.00pm              Lunch (provided)

1.30pm              Informal demonstration of various prehistoric instrument models by Simon

                            Wyatt and Graeme Lawson

2.00pm             Multimedia artwork presentation by Aaron Watson and John Crewdson

2.30pm             Reports from discussions

3.00pm             Discussion of Future Plans

4pm                    end

Expenses forms are available for travel and other reasonable expenses, all those attending can claim reasonable travel expenses, as long as you provide receipts/invoice and/or mileage details.

Attendance and lunch are free of charge.

To reserve a place please contact Rupert Till:  R.Till@hud.ac.uk

Details of the Science and Heritage programme Postdoctoral fellowhips
have been announced. 

please see

http://www.ahrc.ac.uk/FundingOpportunities/Pages/Fellowshipspdsciher.aspx

Acoustics and Music of British Prehistory Research Network First Symposium

Friday 19th June 2009, University of Cambridge

Pippard Lecture theatre, Cavendish Laboratory

J. J. Thomson Avenue, Cambridge, CB3 0HE

The network will have its first public open event on 19th June. Registration and attendance is open to all, students, researchers. academics, heritage professionals and of course the general public. Please contact r.till@hud.ac.uk to confirm your attendance and let us know you are coming. We will be hearing from a number of experts in the field, as well as giving plenty of time to discussion. We will in particular be looking at what the main research questions might be in relation to the study of the acoustics and music of British prehistory. 

Directions at http://www.phy.cam.ac.uk/contact/directions.php

Those arriving by car can park on Clerk Maxwell Road and walk to the main 
building, or they can use the Madingley Road Park & Ride. The #4 bus from 
the park & ride stops directly in front of the Cavendish. Unfortunately 
on-site parking will not be available.

Timetable:

1oam Arrival and Coffee

10:30 Presentations by

Ian Cross – Lithophonics in Prehistory, University of Cambridge

Aaron Watson - Multimedia monuments: exploring sound and vision in prehistory

Paul Devereux – Natural Sound Behaviour in Archaeological Contexts

Graeme Lawson – Evidenced Acoustical Behaviours and Acoustical Space: Re-integrating Sound-tools and Landscapes in Ancient Acoustics

Seb Jouan – Arup Acoustics Glasgow

Gry Baelum Nielsen – Odeon Software and Acoustics of Roman Theatres and Odea

Sarah May – English Heritage – Reverence and a Noisy Experiment at Silbury Hill 

12.45 – 1.45 Lunch

1.45 – Keynote: Arnd Adje Both – Chair of the ICTM Study Group for Music Archaeology

Research Questions in the Acoustics and Music of Prehistory: A Synthesis.

2.30 – Research Question Discussion

3.30 – 4.30 Round Table Discussion

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